Book Review: I’m Not Dying with You Tonight

This book ought to be required reading. It’s short, fast-paced, and thought provoking without being accusatory. The contrast between the girls’ perspectives make for an engaging read. Fans of The Hate U Give will love it.

I’m Not Dying with You Tonight by Kimberly Jones and Gilly Segal

This book is especially relevant given what has been going on in the US and around the world these past couple months. I first heard about it during an online writers’ conference and was bummed that my library didn’t have a paperback copy. Lucky for me, they had the ebook. This was a quick read—perfect for squeezing between other duties.

Cover Description

“Over the course of one night, two girls with two very different backgrounds must rely on each other to get through the violent race riot that has enveloped their city.

Lena has her killer style, her awesome boyfriend, and a plan. She knows she’s going to make it big. Campbell, on the other hand, is just trying to keep her head down and get through the year at her new school.

When both girls attend the Friday-night football game, what neither expects is for everything to descend into sudden mass chaos. Chaos born from violence and hate. Chaos that unexpectedly throws them together.

They aren’t friends. They hardly understand the other’s point of view. But none of that matters when the city is up in flames, and they only have each other to rely on if they’re going to survive the night.”

Characters

Lena has a big mouth and a bigger attitude. She’s fashionable, opinionated, and not even a riot can stand between her and her goals. Campbell is quiet, grieving the loss of her old life—friends, track team, living with her mom—and struggling to adapt to her new reality.

The story focuses almost exclusively on these two characters, which poses the risk of making them archetypes for their respective races: the sassy and ambitious African American girl and the mousy and naïve Caucasian one. The authors avoid falling into typecasting by giving each character at least one non-stereotypical characteristic: Campbell is not rich, and Lena is not as well-versed in “the hood” as Campbell assumes.

I agree with the authors’ choice to focus on Lena and Campbell because the strength of the novel is their contrasting perspectives. For example, Campbell views the police as saviors, while Lena knows they will inflame already raging tempers. Contrasts like these make the story compelling.

Plot

The book alternates between Lena and Campbell’s perspective as the riot begins and they try to navigate their way to safety. They each have separate goals. Lena wants nothing more than to reach her boyfriend, and Campbell needs to check on her father’s hardware store. They stick together despite their differences, even though every step they take brings them further into trouble.

When describing the riot, the authors did an excellent job keeping the focus on the individual experiences of their protagonists. When I read The Hate U Give, I got lost in the chaos at the end. While Johnson and Segal describe the craziness of the riot, they keep the focus on Campbell and Lena’s experience of it, and only mention the parts that hinder their progress.

Structurally, the book is short and simple. I read it in about three hours (and I read slower than a teenager cleans their room). The plot moves at a good clip, and, again, the chief strength is the contrasting perspectives.

Needs Improvement

One thing that needed more development was the situation with Lena’s boyfriend. Many other characters expressed a lack of faith in him, and while he does some noble things toward the end, I didn’t feel the authors resolved the subplot. By the end, I couldn’t predict Lena’s next steps in her relationship. Would she stick with her boyfriend and prove to all the haters what a good guy he was, or would she dump him because he isn’t the guy she thought? His actions throughout the book left me with neutral feelings toward him.

Ends Well

While I don’t like the loose end of that subplot, I do appreciate that Lena and Campbell don’t magically become best friends. Both girls change their perspective of the world, but the book doesn’t end with a kumbaya moment.

Writing Style

In keeping with the short length and laser focus of the book, the prose was sparse. The authors included few descriptive details of the characters and often relied on their names (e.g. Big Baby) or dialogue to trigger the readers imagination. I would have liked more; I had trouble keeping Lena’s boyfriend’s  and cousin’s friends straight.

Brief Nit-picking

This is nitpicky, but I disagree with the authors’ choice to italicize the word ghetto. I think any modern American reader understands what that word means in the context of a race riot. To me, italicizing that word signals a foreign meaning and brings it back to its original context: Nazi Germany. Perhaps not all this book’s readers are also into WWII fiction as I am, but for me, italicizing the word was jarring.

Writing Style Highlight

Now that I’ve nit-picked, I want to highlight something the authors did well: the African American Vernacular English—AAE—in Lena’s dialogue and prose. For those who are unfamiliar, AAE is the dialect reporters refer to when they say Obama slips into “Black Speak.”

If Kimberly Jones isn’t a native speaker of this dialect, then she has certainly studied it. The habitual be, copula deletion, negation concord—it’s all there.

I know I’m falling into an all-out nerd-gush, but so often this dialect is reduced into a sprinkling of “Girl, please,” or butchered into a lawless mess. To see such a robust, grammatically accurate depiction makes my speech therapist’s heart all sorts of happy. Seriously, speech pathology graduate students should study Lena’s chapters. We’d have a lot fewer misdiagnoses.

I haven’t geeked out about a character’s dialogue this much since Thanhha Lai’s “Vietnamese in English.” I can’t overestimate how often authors get AAE wrong. Lena’s perspective was the highlight of the book for me.

Other

I love the cover. I think it succinctly communicates the theme.

Conclusion

This book ought to be required reading, and not just for speech pathology students. It’s short, fast-paced, and thought provoking without being accusatory. The contrast between the girls’ perspectives—including in the writing style—make for an engaging read. Fans of The Hate U Give will love it. To be honest, I liked this one better.


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Book Review: The Impossible Knife of Memory

For those who seek a deeply emotional and inspiring experience, I highly recommend.

Cover Description

For the past five years, Hayley Kincaid and her father, Andy, have been on the road, never staying long in one place as he struggles to escape the demons that have tortured him since his return from Iraq. Now they are back in the town where he grew up so Hayley can attend school. Perhaps, for the first time, Hayley can have a normal life, put aside her own painful memories, even have a relationship with Finn, the hot guy who obviously likes her but is hiding secrets of his own. Will being back home help Andy’s PTSD, or will his terrible memories drag him to the edge of hell, and drugs push him over?” — Amazon Description *

Characters and Plot

As a Minnesota-nice, passive-aggressive people pleaser, I find it difficult to empathize with rebel protagonists. The love story subplot—bitter girl surrounds her heart with walls as thick as they are high; persistent nice guy breaks through them—is one I’ve seen before, most recently in A Very Large Expanse of Sea by Tahereh Mafi**.

However, Laurie Halse Anderson (LHA) creates empathy for Hayley more effectively than Mafi does for Shirin. While I initially found Hayley’s attitude off-putting, she and Finn were so “adorkable” I couldn’t help rooting for them.

As part of my graduate schooling, I had the privilege to train in the Minneapolis VA Hospital. The VA provided counseling for PTSD along with occupational, physical, and speech therapy. The experience gave me a profound respect for the men and women who serve our country, and a deeper understanding of the effects of that service on the body and the mind. If you would like to learn more, I recommend reading Once a Warrior—Always a Warrior by Charles Hoge.

LHA depicts PTSD with heart-wrenching realism. Hayley constantly evaluates her dad for signs of flashbacks. The story line dives into dark moments of violence, but pops up for a breath of hope often enough to make the reader cry out when it doesn’t last. Between the “adorkable” love story and the progressive intensity of the PTSD, the story is more than an emotional rollercoaster; it’s a race through a zero-gravity obstacle course where the reader is the passenger and the pilot is blindfolded.

More than an emotional rollercoaster; it’s a race through a zero-gravity obstacle course at Warp 9, where the reader is the passenger and the pilot is blindfolded. #TheImpossibleKnifeofMemory

My only critique is that the author explains Hayley’s fear of water, but doesn’t divulge the history behind her hatred of the mall. One scene suggests she’s claustrophobic, but I would like to know more.

Writing Style

LHA’s writing style is the opposite of my own. I gravitate towards long sentences that flow across the page. Her prose is punchy and precise. No word joins the others without first proving its worth.

Her unique descriptions characterize her protagonist well. For example, she describes one of Hayley’s classmates as “the same size and shape as a porta potty.” The witty repartee between Hayley in Finn is what won me to Hayley’s side. It was as though they belonged to a linguistic genre all their own.

In short, LHA’s writing is masterful. She could write about people watching paint dry, and I would read 1,000 pages.

Laurie Halse Anderson’s writing is masterful. She could write about people watching paint dry, and I would read 1,000 pages. @halseanderson

Conclusion

Given the subject, this book is not for readers who want to curl up on the couch with a mug of hot chocolate and eat Christmas cookies. For those who seek a deeply emotional and inspiring experience, I highly recommend.

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The Impossible Knife of Memory


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**A Very Large Expanse of Sea is a good depiction of the fickleness of high school and the arbitrariness of popularity.

Book Review: Where the Crawdads Sing

If you enjoy the music of a well-written metaphor, can pass hours lost in the world of a book, and stop to smell the roses while you read, I recommend this book.

Where the Crawdads Sing by Delia Owens

I read so much hype about this book. It popped up in multiple book blogs I follow, including the Spanish ones, where the book’s title is Niña Salvaje, “Wild Girl.” Needless to say, I was thrilled when my aunt gifted me a copy.

Back Cover Description

“For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl.

But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens.”

Characters

Kya’s perspective is engaging and endearing. Owns builds sympathy for her by describing her less-than-ideal home life. The story portrays her ascent to adulthood with such intimacy that the reader understands why she prefers nature to “civilization.”

Her two love interests, Tate and Chase, contrast each other nicely. I rather liked her relationship with Tate. Unlike a lot of love story subplots, they had common ground on which to base their relationship. Chase falls into the typical “star quarterback” stereotype, but Owens gets away with it by contrasting him with Tate. The other towns folk are exactly the sort of quirky one expects from a small town.

Plot

The story progresses in parallel timelines—one relating the murder-mystery, the other Kya’s coming-of-age. To me, the murder-mystery lacked the intense “who-done-it” factor that characterizes that genre, but the main point of the book was Kya’s life story. The murder-mystery served to highlight the town’s prejudice, Kya’s motives, and Kya’s development into a successful Marsh expert.

“Let me know what you think of the ending,” my grandmother said when she saw the book on my coffee table. She didn’t like it. It wasn’t quite the twist I expected, but to be honest, I have no strong feelings about it. The book would have been fine without it, but isn’t destroyed by its presence.

Writing Style

This is not the book to squeeze into the 5-minute breaks in your day. Where the Crawdads Sing is a story to be enjoyed while basking in the sunshine at the beach or while curled next to a fireplace, snowed in for the weekend. It took me a while to get into this story because I had just finished a heart-pounding WWII tale.

Owen’s prose is heavily descriptive, but not in a bad way. Her metaphors fit the setting and are so creative they resemble poetry. While the WWII tale shot words out like bullets from an automatic rifle, Owens words languish on the page, making the reader want to savor them before moving on.

I am glad I opted to read this book in English. I would have been lost in all that descriptive language had I read Niña Salvaje. I also think the cultural language of the Southern small town would be lost in translation.

One thing I noted was the author enjoyed describing Kya’s food and clothing in detail. Though they made me hungry, the food descriptions added detail to the setting. The descriptions of clothing helped show Kya aging (skirts fell first to her ankles, then her knees, etc), but struck me as odd.  

Aside from a couple instances of head-hopping mid-paragraph, Owens writing was a joy to read.

Miscellaneous

I wish the girl on the cover drove a shallow boat instead of paddling a canoe. One of the poems in the book mentions a girl in a canoe, but Kya’s boat and its appearance are more relevant to the plot.

Conclusion

If you enjoy the music of a well-written metaphor, can pass hours lost in the world of a book, and stop to smell the roses while you read, I recommend this book. Rather than the heart-pounding staccato of more thrilling tales, this book reads like a legato violin solo. A nice change of pace that I wouldn’t have regretted purchasing if I didn’t have generous family members.

Let me know what you think of the ending.


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Book Review: Butterfly Yellow

Butterfly Yellow is a beautifully written and emotionally moving story of redemption and reconnection. I loved every word, and highly recommend it.

Butterfly Yellow by Thanhhà Lḁi

I’m a sucker for books that feature diverse protagonists, especially if the plot involves culture clash. When I saw this in the store, I couldn’t resist. It did not disappoint.

Cover Description

“In the final days of the Vietnam War, Hằng takes her little brother, Linh, to the airport, determined to find a way to America, a place of freedom and wonder. In a split second, Linh is ripped from her arms—and Hằng is left behind in a war-torn country.

Six years later, Hằng has made the harrowing journey as a refugee from Vietnam to Texas, a flat, endless expanse dotted with twisty mesquite trees and oil fields. She doesn’t know how she will find her little brother in this foreign land filled with people who speak hissy, snaky English. Then she meets LeeRoy, a city boy with big rodeo dreams.

Hằng is overjoyed when she and Linh are finally reunited. But her heart is crushed when she realizes that he doesn’t remember her, their family, or Vietnam. The distance between them feels greater than ever. But Hằng has come so far and will do anything to bridge the gap.”

Characters

Hằng is a spunky young woman whose determination brings her through the horrors of refugee life to her brother, a true role model for any age. Plagued by guilt, haunted by trauma, and filled with longing, her character garners immediate empathy without being piteous.

LeeRoy is a wannabe cowboy who always thinks of food. At first, his character came off as corny, but his small acts of heroism and kindness won me over by the end. The contrast between Hằng and LeeRoy provides a beautiful example of people reaching each other across cultures. So different, yet perfect friends. Her stubbornness and his cowboy grit collide in adorable spats. By the end, I loved them both.

Plot

Overall, the story was well-paced and kept me engaged throughout. I like that the book begins with Hằng finding her brother, and the story revolves around her difficulty in reconnecting with him. The challenges that arrive after escaping a war zone are an often untold part of the refugee story.

My one critique is that I waited the entire book to learn what happened to Hằng on the island, and the author dumped it all in a series of flashbacks. The story was worth the wait, but I wish she had sprinkled more of it in sooner. I like how LeeRoy supports her during that time, and I love that he never asks her to explain.

Writing Style

I love reading books by poets. I’ve read several by Diane Ackerman and love how descriptive she is. Lḁi’s prose is so full of imagery that reading it is like looking at a painting. Beautiful and imaginative, her descriptions reflect Hằng’s perspective. Reading from Hằng’s point of view makes Texas feel like an alien land, exactly how it seems to Hằng. LeeRoy’s perspective is much more down-to-earth, and I love that Lḁi includes so many forced westernisms for the wannabe cowboy.

The best part, for me, about Lḁi’s writing is her inclusion of Vietnamese and her use of English-in-Vietnamese spellings. Hằng’s dialogue and thoughts seem that much more real. Lḁi uses LeeRoy to “translate” in a way that naturally fits with the flow of the story, not forced. Everything is easy to understand, yet the writing itself adds to the sense of two cultures colliding. As a bilingual speech therapist, I could gush for pages about how much I loved this, but you get the idea.

Conclusion

Butterfly Yellow is a beautifully written and emotionally moving story of redemption and reconnection. I loved every word, and highly recommend it.


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Book Review: The Hate U Give

This book popped up repeatedly on bestseller and recommendation lists. I had to discover the basis for the hype.

The Hate U Give by Angie Thomas

This book popped up repeatedly on bestseller and recommendation lists. I had to discover the basis for the hype.

Back Cover Description

“Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does—or does not—say could upend her community. It could also endanger her life.”

Characters

Starr is a relatable teenager in that she is still figuring out who she is and where she belongs. While not everybody has lived between two different socioeconomic classes, most people have felt they didn’t belong. I like that the author didn’t put Starr in a single box; instead, she showed us many aspects of Starr’s personality. It was as if Starr says “This is me too. Why should I have to choose?”

The other characters were unique without be cartoonish. I particularly liked Seven’s mother’s small act of redemption toward the end.

Plot

I usually read at a glacial pace, stopping to savor the story as it unfolds, but this book’s pacing is like a galloping horse—steady and strong. Thomas strikes the perfect balance between increasing tension and allowing enough time for development and emotional resonance. The focus on Starr, her family, her choices, and her reactions kept me engaged until the end when everything devolved into a riot. I couldn’t relate to a crowd of angry people and had trouble suspending my disbelief after that. A bit too crazy for a passive-aggressive, people-pleasing Midwesterner like me.

I appreciate the author’s explaining the rap that made the story’s the theme. As a classical music fan, I would have been lost without that.

Writing Style

The strength of Thomas’s writing lies in her delving into ambiguity and forcing the reader to sit there, uncomfortable. She portrays life for the complex, messy thing it is, and I admire her for that. Few books have characters as flawed but human as hers.

One masterfully written scene was when Starr’s family got together to watch the basketball game. Rivalries reared their ugly heads, and each person had their own win-ensuring rituals. I don’t give a rat’s left toe about basketball, but if you replace the sport with hockey and the family with a bunch of sun-starved Minnesotans, this scene could have come straight from my childhood. What family can’t relate to friendly competition?

Pairing such a relatable family event with something so tragic, so wrong, made for a powerful read. This wasn’t my favorite book I’ve ever read, but it was worth reading for that scene alone.

Conclusion

The Hate U Give speaks to a relevant issue in modern American culture and opens the door for discussion. Thomas’s prose didn’t make me swoon like say, Laurie Halse Anderson’s or Diane Ackerman’s, but it was solid, and many of her scenes packed an emotional punch.

Worth the hype?

I didn’t find this book as earth-shattering as other reviewers, but I enjoyed it, and I admit it made me think.

Worth the money/time to read?

Yes. I checked a copy out from the library, but purchasing it wouldn’t be a waste. It makes a good discussion book, so it’d be good to loan to a friend.


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Book Review: Speak

The publisher recently released the 20-year anniversary version of this story. I am far behind the boat on this, as it is my first time reading it. That’s what I love about words: they’re timeless. Twenty years later, I can discover a book and immerse myself in its pages.

Speak by Laurie Halse Anderson

The publisher recently released the 20-year anniversary version of this story. I am far behind the boat on this, as it is my first time reading it. That’s what I love about words: they’re timeless. Twenty years later, I can discover a book and immerse myself in its pages.

Cover Description

“From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. As time passes, she becomes increasingly isolated and practically stops talking altogether.

Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication.”

Characters

Melinda sees the world through the cynical eyes of someone it has treated unjustly. Her personality has a sharp edge to it, but not the edge of someone who is belligerent by nature. The bitter irony in her perspective is a defensive reaction to the pain acidifying her insides. Only Heather, a new student who is desperate to climb the social hierarchy, speaks to her.

You can tell a lot about a person by how they react to pain. Melinda holds hers inside, bearing her trauma in silence. Heather wails and shouts her troubles like a wolf howling at a full moon. The contrast between them adds power to the theme of the book.

Plot

The strength of this story is its subtlety. This is not a political manifesto, a b*tch party at the bar, or a transcript of a therapy session. The story focuses on Melinda as a person, her individual experience, and her processing what happened to her. It does not claim to represent all rape victims, nor does it strive to make vast cultural changes. This is about one girl learning to speak up for herself. Because of that, it is even more powerful.

Writing Style

This was the author’s debut novel, and her writing is flawless. When you begin with flawless and improve from there, you know you’re a good writer. I can attest to that, because, while this book was well written, the writing in her later publications left me in awe.

Other

As you can see in the Amazon link below, the 20th anniversary edition has a different cover than the copy I checked out of the library. I like them both.

This book often appears in discussions about censorship and what topics ought to be permitted in public schools. Personally, I don’t see any reason this shouldn’t have a place on school library shelves. The descriptions were not so graphic as to be unreadable, and the subject is relevant to teenagers. The book itself is short enough not to take up an entire semester should teachers make it required reading, and I recommend they do. I got more from Speak than I did from most of the stuff teachers forced me to read in high school.

Conclusion

This book is well-worth reading. I read it in two sittings, but it is short enough to read in a day if you’re so inclined. I went to the library, but I would say it is not only worth buying, it would be worth buying two to have one to give to a friend.


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Speak by Laurie Halse Anderson


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Book Review: Wintergirls

I advise you to tie a rope around your waist before diving into this book, because after swimming in the darkness, you’ll need a lifeline to pull yourself back to the surface.

Wintergirls by Laurie Halse Anderso

“Lia and Cassie are best friends, wintergirls frozen in fragile bodies, competitors in a deadly contest to see who can be the thinnest. But then Cassie suffers the ultimate loss—her life—and Lia is left behind, haunted by her friend’s memory and feeling guilty for not being able to help save her.”–Back Cover Description

Character and Plot

From page one, Lia is deep into mental illness and anorexia. The author shows us her world through her hallucinating eyes: a broken family that tries and fails to understand her; a friend she should have helped who now haunts her; classmates who speak meaningless words; other wintergirls who encourage her to “stay strong.” Despite Lia’s distorted view of herself, she shows her sweet personality with her stepsister, Emma. This relationship provides the single thread of hope that runs through the novel.

The plot reminds me of Dexter and Breaking Bad based on its disturbing spiral from Lia’s memories of being “a real girl” into her reality of a “wintergirl.” You watch Lia do horrible things to herself, and though in your head you scream at her to stop, you can’t tear your eyes off the page as you witness it happen.

Writing Style

If Tim Burton had written Alice and Wonderland, it might have looked something like this book. This is the second book I have read by Laurie Halse Anderson, and once again her writing leaves me gaping in awe. Her descriptions are as beautiful as they are haunting. Her tweaks of style serve a purpose. Running words together, crossing words out, filling entire pages with the same words, and leaving pages empty tell the story with the visual of the words themselves in addition concepts they represent.

Other

At first, I didn’t like the cover, but after finishing the book, I agree with it. I don’t believe the description on the back cover does justice to the potency of the narrative.

Conclusion

This book is not for readers who like long walks on the beach, but the right type would binge read it. Through the lens of its pages is an unflinching look into a sick mind and a grieving heart.

I’ll be honest, this book was too intense for me. It forced me back to a place I’d thought I’d left behind. Halfway through the book, I knew I should never have picked it up, but by then, I needed to reach the end. I needed the hope of a happy ending.

The right reader wouldn’t regret shelling out their precious pennies for a hardcover copy. I’m glad I can return mine to the library, lest it haunt me from my bookshelf.

I advise you to tie a rope around your waist before diving into this book, because after swimming in the darkness, you’ll need a lifeline to pull yourself back to the surface.

Read with caution.


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Wintergirls

If this interests you, you may also like The Impossible Knife of Memory and Speak (Reviews Pending)


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Book Review: True Colors

I haven’t yet read a book by Kristin Hannah that I didn’t love.

True Colors by Kristin Hannah

I have yet to read a book by Kristin Hannah that I didn’t love. My favorites remain The Great Alone and The Nightingale, but this was a worthwhile read.

Back Cover Description

The Grey sisters had only each other when their mother died years ago. Their stern, unyielding father gave them almost no attention. Winona, the oldest, needs her father’s approval most of all. An overweight dreamer, she never felt at home on the sprawling horse ranch that had been in her family for three generations. Aurora, the middle, is the peacemaker. Vivi Ann, the youngest, is the undisputed star of the family. Everything comes easily to Vivi Ann, love most of all.

A terrible crime will shatter their family and tear their beloved town apart. Accused is Vivi Ann’s new husband, an outsider. For the first time, the sisters will be pitted against each other.

Characters

Each of the Grey sisters embodies common family roles—the misfit, the peacemaker, the little princess—but the struggles in their personal lives prevents the books from falling into clichés. A former lawyer herself, Hannah often includes lawyer characters. I liked Winona, especially since so many books are filled with skinny beauties. Winona’s bull-like personality gives her the strength through the entire book, but her sisters balance her out, and her admission of her own mistakes at the end is authentic. Once again, Hannah has done an incredible job creating relatable characters with depth and personality.

Plot

The plot begins with a bit of a love triangle, then switches to the crime, then takes a decade-long break and returns to the crime. A lot of set-up, but it comes together in the end. The author leads the reader through one link in the chain at a time. While exploring the darker side of the criminal justice system, the story centers around themes of family, prejudice and reconciliation.

Writing Style

Hannah has a gift for describing the passage of time without boring the reader. She can span months in a single paragraph. Instead of saying “and then summer came,” she describes which flowers come into bloom, what chores the townsfolk do, and what weather plagues the city. This maintains the magic of the story while still allowing us to fast-forward through time.

Other

The cover image is similar Between Sisters, though I like the sharp contrast between the horse silhouette and the background. The horse relates to the plot and symbolizes one character, so works well for the cover.

You can tell the author is writing what she knows when she describes the setting, and that she has a great deal of affection for the Pacific Northwest. Much like her depiction of Alaska in The Great Alone, her descriptions of the ranch made me want to pack my bags and hop on the next flight there. That’s the highest compliment I can give a book’s setting.

Conclusion

Another excellent book by Kristin Hannah, well worth the price to buy and the time to read. If you are deciding between True Colors and Between Sisters, I’ll say that I liked Between Sisters, but they are similar. The Great Alone and The Nightingale are still my favorites by Kristina Hannah, but True Colors earns its place on the shelf.  



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True Colors

Other books by Kristin Hannah I enjoyed

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Winter Garden


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Book Review: Everyone Brave is Forgiven

Cleave wields words like a miner wields a pickax: he strikes hard and sharp. His descriptions leave you feeling as if you experienced the setting not from the comfort of your living room sofa, but in all the grit and passion of place itself.

Everyone Brave is Forgiven by Chris Cleave

As I wrote in this post and this post, I never tire of WWII stories. Everyone Brave is Forgiven tells the story from the perspective of those who stayed in London and experienced the war on their own front porches.

Back Cover Description

“The day war is declared, Mary North leaves finishing school unfinished, goes straight to the War Office, and signs up. Tom Shaw decides to ignore the war—until he learns his roommate Alistair Heath has unexpectedly enlisted. Then the conflict can no longer be avoided. Young, bright, and brave, Mary is certain she’d be a marvelous spy. When she is—bewilderingly—made a teacher, she finds herself defying prejudice to protect the children her country would rather forget. Tom, meanwhile, finds that he will do anything for Mary.

And when Mary and Alistair meet, it is love, as well as war, that will test them in ways they could not have imagined, entangling three lives in violence and passion, friendship and deception, inexorably shaping their hopes and dreams.”

Characters

Mary North is a delightfully rebellious socialite who has more backbone than many soldiers. Her relationship with her disenfranchised students—African Londoners and children with disabilities—shines a light on the period. Even Nazi bombs couldn’t destroy prejudice. It’s no wonder Tom Shaw, a soft-hearted sloth of a man, falls for her. She loves him too, until Alistair’s quick wit sticks to her heart and forms a love-triangle that crosses oceans.

Mary’s high society rebellion, Tom’s “why’s everyone so upset about all this” attitude, and Alistair’s stark irony each give a striking perspective on the war. Cleave’s characters are well-rounded and realistic.

Plot

The plot reminds me of digging in the rocky soil of my landscaping. Every page reveals a stone, a new ugly truth about the war. From prejudice, to war crimes, to overblown bureaucracy, Cleave leaves no room to romanticize war. This book made me think.

As a romantic myself, I wanted things to work out better for Tom, Mary, and Alistair. Like all well-written characters, they became my imaginary friends, and I wanted a fairy tale ending for them. Don’t misinterpret this to mean that I didn’t like the ending. It was a satisfying ending, but like the rest of the plot, reflected the difficulties of life at war.

Writing Style

Cleave’s writing has a no-nonsense feel to it that differs from the female authors that I typically read. He is particularly gifted at Alistair’s wit, which reminds me of my older brother. His writing style reflects the overall tone of the novel. With little in the way of flowery fluff, Cleave wields words like a miner wields a pickax: he strikes hard and sharp. His descriptions leave you feeling as if you experienced the setting not from the comfort of your living room sofa, but in all the grit and passion of place itself.

Other

I like the cover image, though I wish it showed London in its damaged state. That was one of the more striking parts of the book, experiencing the bombings of London.

Conclusion

My grandmother loaned me this book, but it would be worth buying a used copy, unless you’re one of those people who can’t resist that new-book smell. If you’re stingy like me, this could be a library read, though I wouldn’t have regretting purchasing it.


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Similar Books I Enjoyed

(still working on writing the reviews)

Click HERE for my review for this book about the making of Winston Churchill


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Book Review: The Language of Sycamores

Like the book, hate the cover. Karen is a middle-aged career-focused woman who burned out of a high-stress job in the tech industry. The cover image makes her look like an over-zealous millennial about to snap an Instagram photo of her avocado toast. I could forgive that, but the depiction of Dell is a crime.

The Language of Sycamores by Lisa Wingate

Another one from the library of Grandma 🙂

Cover Description

“Karen Sommerfield has been hiding from the big questions of her life—the emotional distance in her marriage, her inability to have children, and her bout with cancer. Getting lost in her high-powered career provides the sense of purpose she yearns for. Until the day she’s downsized out of her job and the doctor tells her the cancer may be back. It’s a double blow that would send anyone reeling.

It sends Karen to Grandma Rose’s old farm, where her sister has made a seemingly perfect life. Opening herself to the unexpected, Karen finds a lonely child in need of nurturing and insights into her family’s past. In the quiet of the Missouri Ozarks, where the sycamore leaves whisper their soft, secret language, she discovers answers—and a joy to make her life complete.”

Characters and Plot

Karen is a typical middle-aged burn-out with family issues. Years of competitions for her father’s approval strained her relationship with her sister, a perfectionist homemaker. These characters were relatable, but my favorite character by far is Dell, the shy little girl who comes alive with music. The author does a phenomenal job of building empathy for Dell, and I found myself routing for her the entire book. I also like how Dell brings out different sides of the other characters, like Karen’s husband, who plays guitar and does Elvis impressions.

I am a sucker for found family stories, so I enjoyed the plot. The perfect story for curling up on the couch with a mug of hot tea.

Writing Style

The writing style of this book was too explanatory for me. The author seemed to think I needed her to explain how Karen was feeling. I would rather she depicted more dramatic scenes and let me experience Karen’s emotions for myself. Also, flashbacks litter the beginning of the book, which made the pace slow to start.

Despite containing a sermon, this book is not preachy. The single sermon helps drive the plot. My only criticism is the ending, where the author gives God credit for everything that happens. It felt forced, as if the author finished the story and thought, “Shoot, I was supposed to make this a Christian book” and slapped three inspirational paragraphs together. I would rather Karen spent more time throughout the book questioning God about her circumstances, or had the final scene in a church or near one. Then her reflections would be more natural.

Other

I liked the book, but I hate the cover. Karen is a middle-aged career-focused woman who burned out of a high-stress job in the tech industry. The cover image makes her look like an over-zealous millennial babysitter about to snap an Instagram photo of her avocado toast. I could forgive that, but the depiction of Dell is a crime.

Dell comes from a low socioeconomic status in an abusive home. We only ever see her uncle’s verbal abuse, but the storyline hints at worse. She also cares for her ill grandmother. The cover image, however, gives no hints of her home life, no dirt or patches on her clothes, no tangles in her hair, no ill-fitting or mismatched clothes.

The worst by far is the girl’s skin. Dell is half African American. The girl on the cover? Paler than I am after hibernating through a nine-month long Montana winter.

Dell is half African American. The girl on the cover? Paler than I am after hibernating through a nine-month long Montana winter.

Dell’s uncle disparages her for having a “n—r father.” His constant verbal abuse affects her confidence, her self-worth, and her ability to trust others. Even the way she moves, silently, and the way she interacts with a group—staying on the edges and covering her face with her hair—reflects her poor self-image. Her skin tone is an integral part of her character, one that affects the way she behaves in the story. Simply put, Dell cannot be white* and still be Dell.

Dell cannot be white and still be Dell.

How many people on the publishing team gave that cover their approval? Don’t get me wrong; it’s a good image. The title is clear; the tone is consistent with the genre; and the image evokes the desired emotion. It’s a good cover, just not for this book.

Our media is whitewashed enough. People shouldn’t have to take a brown sharpie to their surroundings to see themselves depicted, especially not when the character in the book is already described as having “cinnamon-colored skin.” You can’t tell me there were no pictures of adorable brown girls they could have used.

People shouldn’t have to take a brown sharpie to their surroundings to see themselves depicted.

Conclusion

Did I enjoy the book? Yes. The explanations and flashbacks were not disruptive enough to detract from the storyline, which was heartwarming.

I enjoyed the book, but I’d be lying if I said that cover didn’t make me want to rage out of my winter den like a grizzly on the hunt for stupid tourists.


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The Language of Sycamores

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Same author. I actually liked this one better.

Great book. Stay tuned for my review!


*By “white” here, I mean 100% white like the girl on the cover. Dell already is 50% Caucasian.

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